Long term collaborators
设计哲学
“在推敲好的框架内做到简化，是本质上的极简。” —— 本质极简主义
当今空间设计呈现出一场又一场视觉游戏，其驱动是消费主义，空间被降格为构图。Neutra Architects旨在以实践探讨，空间设计应如何面对消费主义，如何塑造给予人启发的空间，使它具备提升人内心的可能性。
我们向自然和古典寻求空间表达上的永恒灵感。
自然强调了美的客观性。它作为被给予人类的部分，调动的是我们作为人，作为设计者的情感，是我们主动去选择的客观亲切之美。
古典则着重于让空间回归到人的身体与物质之间的客观关系，这种理论最早可以追溯到中世纪。空间设计在处理一种人与材料/细部，人与比例/尺度的相对关系当中，达到动态中的永恒。
因此，我们对于审美的“中立”态度，建立在运用情感，主观地表达客观之美上；而设计的松弛有余，意在希望空间在被使用的过程中因所有人的参与而变得有机，并蓬勃发展。
Today's spatial design presents a series of visual games, driven by consumerism, where space is relegated to composition. Neutra Architects aims to explore through practice how spatial design should confront consumerism and how to shape spaces that inspires people, bringing the potential to elevate the human spirit.
We look to nature and classics for eternal inspiration in spatial expression.
Nature emphasizes the objectivity of beauty. As a part bestowed upon humans, it mobilizes our emotions as individuals, so as designers. It is the objective beauty we actively choose.
Classics focus on reconnecting space to the objective relationship between the human body and matter. This theory can be traced back to the Middle Ages. Spatial design achieves eternity in dynamics by dealing with the relative relationship between people and materials/details, people and proportion/scale.
Therefore, our "neutral" attitude towards aesthetics is based on using emotions to subjectively express objective beauty; while the design is relaxed with intentional flexibility, hoping that the space becomes organic and thrives with the participation of everyone during its use.
Today's spatial design presents a series of visual games, driven by consumerism, where space is relegated to composition. Neutra Architects aims to explore through practice how spatial design should confront consumerism and how to shape spaces that inspires people, bringing the potential to elevate the human spirit.
We look to nature and classics for eternal inspiration in spatial expression.
Nature emphasizes the objectivity of beauty. As a part bestowed upon humans, it mobilizes our emotions as individuals, so as designers. It is the objective beauty we actively choose.
Classics focus on reconnecting space to the objective relationship between the human body and matter. This theory can be traced back to the Middle Ages. Spatial design achieves eternity in dynamics by dealing with the relative relationship between people and materials/details, people and proportion/scale.
Therefore, our "neutral" attitude towards aesthetics is based on using emotions to subjectively express objective beauty; while the design is relaxed with intentional flexibility, hoping that the space becomes organic and thrives with the participation of everyone during its use.